This year, we published a book called 'How Do Aeroplanes Fly?' on StoryWeaver in 10 languages. The book – written by Aditi Sarawagi and illustrated by Lavanya Karthik - was recently introduced to a group of children in Kota, Rajasthan, by a colleague during one of her field visits. One of the interesting observations she had made was that the children – both boys and girls – were struck by the mention of female pilots. “We didn't know that women could fly planes,” one of them had said to her. You can watch a related video here.

 

While I'm aware of disparities existing in every corner of India, this still took me by surprise. It also made me realize that all the thinking we do, as publishers, teachers and parents – which often feels like overthinking – is most definitely a good thing. Including a woman pilot and an Indian one at that had made a difference here, after all. 

Over the last couple of years, there has been a lot of conversation around the growing need for diverse and inclusive books. And what does diversity mean, you ask. I suppose it could mean a range of things: from gender and religion, to language and ethnicity. The website We Need Diverse Books has listed down their vision as “A world in which all children can see themselves in the pages of a book." In India, initiatives like @genderlogindia and BAM! Books have actively helped keep this conversation alive.

In 2012, a national consultation involving experts from institutions, authors, editors, publishers, librarians and educators was organized by National Book Trust. 'The Good Books Guide', the document that emerged from this gathering, speaks about diversity and inclusion in its section on values. “There is a need to realize that many groups – and their world-view and perspectives – are often ignored in children's literature. For instance, girls, tribal or dalit children, children with special needs, working children and those living in urban slums, don't get enough representation in mainstream literature.”

When I think about the first set of books that were published on StoryWeaver (released digitally first), a few titles come to mind. To be completely honest though, it feels odd to be calling these books diverse. Why should a boy cooking be thought of as diverse? Why should a book featuring a single-parent household be slotted as diverse? Just because there are characters from the North-East of India, should a book be treated as diverse? Children living near a garbage dump... diverse? 

Here's the thing though. There aren't enough children's books, especially in India, in which boys or men are shown to be cooking. Single-parent households in children's books? Hardly. Characters from the North-East? A handful. Well, you get the point. In a world in which children are surrounded with fear, prejudice and suspicion, these stories – which include multiple perspectives and help build empathy - become all the more important. Stories with diverse characters will help them realize that 'the other' – in any regard – is more like them than they had imagined. And that even if they weren't, these differences are to be celebrated.

If we want our children to be independent in their thinking, we certainly need to give them access to rich and eclectic narratives that not only only inspire curiosity, but also show rigid patterns being broken gracefully. In Ross Montgomery's recent article on 'Why Writing Diverse Children's Books is Tough', he addresses a lot of issues that well-meaning authors are likely to run into. After all, you don't want to include diverse characters in your book just for the sake of having diversity, do you? But as he points out, “We all have to strive to create well-rounded diverse characters and find new ways of writing. The fact that it’s hard isn’t a good enough excuse: we have to step away from the established paths and take more risks. Who knows - we might even find a better one.” 

 

And while you're (hopefully) contemplating these rather baffling questions, allow us to make suggestions of a few books that we consider diverse. Please add your book recommendations in the comments section below.

Favourites from StoryWeaver & Pratham Books

Please note that all these books are available in multiple languages.

1. Bonda and Devi
In this story of unlikely friendship, Devi – one of the protagonists – is physically challenged. Set in the future, we had to make the wheelchair kind of futuristic as well. Spot it?

2. Where Did Your Dimples Go?
Langlen's father is Tamil and mother is Manipuri. It was just before this story was illustrated that one of the contributors suggested that Langlen's (formerly known as Leela) mother be from the North-East region of India, since it is hugely under-represented in children's books. 

3. Dum Dum-a-Dum Biryani
Bored of seeing only women cooking in children's books? Finally, a boy who loves to cook! Meet Basha, who loves to hang around in the kitchen as his Ammi cooks all kinds of delicious dishes.

4. A Helping Hand
Told through a series of letters, this is a moving story of acceptance and blossoming friendship. 

5. Chuskit Goes to School  

Set in Ladakh, this is the story of Chuskit, a differently-abled girl who longed to go to school but was unable to because she could not walk. But after a nine-year wait, she is finally able to go to school!

6. Freedom Run
In many tiny villages in Uttar Pradesh, small children work long hours at the looms to create carpets famous around the world for their intricate designs. This is a story about the forgotten children of India.
7. Didi Ka Rang Biranga Khazaana
Living close to a garbage dump, these children run around garbage all day, without attending school. But then one day, Didi walks into the dump, changing their lives forever. Meet Didi and her young friends in this wonderful story that celebrates the joy of reading.
8. Adikhani series (a set of 10 bilingual books)
Drawing inspiration from the challenges facing tribal education, three organisations (Pratham Books, Ignus-ERG with the support of Bernard van Leer Foundation) held writing workshops with authors speaking Saura, Munda, Kui and Juanga languages to create picture books for early readers. These charming stories are drawn from the rich oral tradition of various tribal languages and the illustrations use tribal art with a contemporary twist. The script used in these books is Odia.

9. Chipko Takes Root

Dichi, a brave Bhotiya girl, takes part in the Chipko movement to save her beloved trees.

10. Manikantan Has Enough
Manikantan isn't pleased about having moved from his beautiful village to Smart City where his every move is being watched. But he did it for Amma, who is his mother and father and all the family he had in the world.

Favourites From Other Publishers
1. 'Bhimrao Ambedkar: The Boy Who Asked Why' by Sowmya Rajendran and Satwik Gade (Tulika)
2. 'The Princess with the Longest Hair' by Komilla Raote and Vandana Bist (Katha)
3. 'The Lonely King and Queen' by Deepa Balsavar (Tulika)
4. 'The Sackclothman' by Jayasree Kalathil (DC Books)
5. 'Dear Mrs. Naidu' by Mathangi Subramanian (Young Zubaan)
6. 'Simply Nanju' by Zainab Sulaiman (Duckbill Books)

Be the first to comment.

---

K. Suresh likes to be known as a translator and has several books published for adults as well as children. He is one of the founders of Manchi Pustakam, a Trust for publishing and distributing children's books in Telugu. The organisation has more than 200 titles published by it and distributes an equal number of select books by other publishers. His emphasis is on books that create interest in and love for books among children. He feels that there is a great need for graded books that help children to increase their reading capacities. He has translated many stories to Telugu for Pratham Books including 'The Cat in the Ghat!' and 'What If?'. You can read his stories Mouse in the House and Lost and Found on StoryWeaver.  

Q:  What type of person do you think makes the best translator for children’s stories?

A person who loves books, likes children and respects them.

Q: Do you have any advice for anyone interested in becoming a translator?

A: The person should have good command over both the languages and should know the nuances. S/he should also know the cultural context and usage of idioms and phrases in both the languages. One should also read a lot.

The language for children should be simple. While translating one should use available vocabulary, though English words are commonly used. After completing the translation, give some gap and read it again without the source language text. Read it objectively, as if it was done by others and your job is to find errors in it.

Q: A book you'd like to recommend to other translators?

I suggest that the translators start with what they like and should feel that the children in the other language would miss a lot if that book isn’t translated. Obviously, I would suggest a book that I love very much.

Q: What is your personal relationship to language and/or translation?

I love to read books. I have started my work as a sub-editor in a Telugu newspaper, which involved translation and cultivated it over the years. I am not a creative writer, so I take pride in translation!

Q: When you’ve been given a story to translate, what’s your process, and how long does it generally take?

Sometimes I jump into translation. Sometimes, I read the entire story and sleep over it. While reading and in the free time, I think about the appropriate words and how it will be in Telugu.

Q: What do stories in translation bring to young readers?

It opens up their world! It introduces a new culture.

Q: You’ve translated stories for us. Which has been your favourite to work on?

I had the fortune of translating, reviewing and being a Guest Editor for Pratham Books. I liked translating The Cat in the Ghat!

Q: What is the hardest thing about translating from English into Telugu? How do you navigate words or phrases that are tricky to translate?

The structure of English sentence is complex; it can take several adjectives and be very long. Breaking the sentences while translating sometimes results in losing the emphasis. The rhyming and punning with English words is difficult to translate. After the first translation, I explore simpler expressions and choice of vocabulary.

Q: How do you feel when your story reaches the child?

When we get to know that a child has enjoyed a story/ book we are very happy.

Q: Translating stories must have required research when it came to STEM related terms and concepts. How did you explore new objects and concepts?

For some words, I look up the dictionary. Sometimes re-writing helps. Constant reading will add to one’s vocabulary.

Q: How else do you think we can join hands to take more stories to more children in more languages?

Pratham Books and Tulika are doing excellent job in multi-language publications. StoryWeaver is providing a platform for exchange of books in various languages. Arvind Gupta is encouraging multi-language translations of children’s books and posting them on internet archive. Earlier there was considerable direct translation in regional languages, now English has become the connecting language. A publishers’ consortium for exchange of rights would be beneficial.

Q: As a publisher and translator what do you think is the best way to approach a child?

The general tendency is to preach to children, which I do not subscribe to. We expect lot from children without practising/ following them. The best way is to make a range of books available to children from which they can choose. We should not be overly worried about what they learn from a book. They will definitely learn from books and the society at large.

 

Be the first to comment.

---

Today is World Storytelling Day, which means it is time for our annual storytelling contest: Retell, Remix, Rejoice - this time, with a twist! This year’s edition of Retell, Remix, Rejoice will focus on translating some wonderful storybooks on StoryWeaver, and adding to the pool of multilingual children’s literature.

Translate storybooks and share the joy of reading in 10 languages

At StoryWeaver, we believe that every child deserves joyful storybooks in her own language. In order to work towards this, Retell, Remix, Rejoice 2020 will nurture the translator community, to find and encourage translation talent in 10 languages: Bahasa Indonesia, Hindi, Gondi, Gujarati, Kannada, Malayalam, Marathi, Tamil, Telugu, and Vietnamese.

If you are fluent in one or more of these languages, just fill in the participation form (link below), and we shall assign you a storybook. All you have to do is translate the book into the shortlisted language and submit it!

This year’s prize

The winner(s) will have a one-on-one mentoring and feedback session with an editorial expert. The winner(s) will also receive a print copy of the translated book (only for participants based in India), and the winning translation will be published and highlighted as a Recommended title on StoryWeaver.

How to enter

Enter the Retell, Remix, Rejoice 2020 contest here: https://bit.ly/RRR_Contest

Guidelines for submission

1. The contest will run from March 20, 2020 to May 20, 2020

2. All translations submitted must be your own work.

3. Translations must be in Bahasa Indonesia, Hindi, Gondi, Gujarati, Kannada, Malayalam, Marathi, Tamil, Telugu, or Vietnamese.

4. Participants must be over the age of 18 to participate.

5. By submitting your work to Retell, Remix and Rejoice 2020, you are agreeing to a CC-BY 4.0 license being applied to it. This license lets others distribute, remix, tweak, and build upon your work, even commercially, as long as they credit you for the original creation. To know more about CC-BY 4.0, click here.

6. Terms and conditions apply. All final decisions rest with Pratham Books’ StoryWeaver. For more read here.  

comments (8)

---