Manning Sutton is the founder and director of Apprendre Sans Frontieres (Learning Without Borders), a non-profit organisation that provides technology and educational materials to primary schools in French-speaking African countries like Senegal. To supplement the course curriculum, the organisation provide books (in the form of PDFs and creative commons), websites (Wikipedia, Khan Academy etc.), photos and videos to teachers. 

The organisation currently has about 200 books for primary school students. However, low literacy rates, no internet access and the absence of library materials including children's books are some of the challenges that the organisation faces. To create storybooks in mother tongue languages like French, Learning Without Borders partnered with StoryWeaver.

Jordan Hairabedian, who works as a researcher at Learning Without Borders, is a student at Sciences Po Aix, an Institute of Political Sciences in France. In May 2019, he organised a week-long translation hackathon with fellow students at the university to translate storybooks into French for Learning Without Borders.

This was Learning Without Borders’ first experience organising a StoryWeaver translation sprint. A closed Facebook group was formed to aid communication regarding translation and review of each story. Jordan translated StoryWeaver's translation sprint guide, which provided the best practices on translating for children, to French. 

Jordan shares, “The stories translated were published after peer-to-peer reviews. This was followed by each story being rated by the language/ translation experts from within the group. These ratings were made the basis of assessment and awards for best translations from the sprint.”

53 stories were translated into French in this sprint. You can browse through some of the stories from the sprint here.

    

Julia Hang and Jordan Hairbedian translating stories into French as part of the hackathon organised by Learning Without Borders.

Learning Without Borders has piloted an offline, solar-powered digital library in Senegal, that can be used in the remote areas of the country that do not have access to electricity or the internet.

Sutton hopes to see story books translated from French to languages like Pulaar and Serer, and eventually to Mandinka, Balanta-Ganja, Mandjak, Hassaniya Arabic, Noon, Jola-Fonyi, Soninke, and Mankanya. He also plans to share the StoryWeaver methodology with the Ministry of Education to see if books can be created locally, in local languages. 

As for us, we’re just excited that our translation resources are being used to translate storybooks into languages around the world, so that more children can benefit from it and partake of the joy of reading!

If you would like to conduct a StoryWeaver translation sprint, please feel free to reach out to us at [email protected].

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UPDATE: 'The Elephant Bird' is available to read in  Assamese , Hindi, Kannada, Marathi, Odia, Sanskrit , Tamil , Telugu , Bengali, Malayalam, Punjabi, Konkani  and English .

Pratham Books' One Day, One Story is back! The nationwide storytelling campaign is in its 5th year. Through the campaign, we encourage our community of volunteers to use one book to conduct reading sessions, free of cost with children from under-served communities. For more details about the event click here.

This year's chosen story is The Elephant Bird by Arefa Tehsin, Sumit Sakhuja and Sonal Goyal. The story about a magical bird, and a brave, curious child is also the tale of an unlikely friendship and rare courage. We totally love this one!

Last year 2500+ storytellers joined us to take The Boy and the Drum across India (and some other parts of the world!). This story was translated to 7 languages on StoryWeaver. The more languages a story is translated in, the more it will travel to be read and enjoyed by children.

This is where we need your help. 

Yes, you guessed it right - we need translation volunteers for this year's story. The Elephant Bird' is already availble in English, Hindi, Kannada, Gujarati, Telugu, Urdu and Marathi. Your contribution to add a version of this story on StoryWeaver will go a long way in multiplying the number of PB Champs' reading sessions and in turn, help reach more and more kids. Wouldn’t that be lovely?  

We need all the translations to be on the site before 20th August, 2016.

If you have any queries please write to us at [email protected]

Here's a quick and easy video tutorial on how to translate stories on StoryWeaver. Once you've seen it, you can head over to the site to start translating 'The Elephant Bird'

P.s: If you're interested in joining us as a PB Champ this year,  click here to enrol.

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Karthigeyan Sivaraj is a Google Serve campaign volunteer who has worked with StoryWeaver to help translate several storybooks into Tamil, including I Can Climb! and My Best Friend.

In this Q&A, Karthigeyan shares his experience about translating on StoryWeaver, his insight into the translation process, and his love for children's literature.

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Q: Do tell us a little bit about yourself, your interests, your work

I'm a Googler by profession and by practice, and I'm proud of that! At work, being a Googler means respecting my colleagues and welcoming their opinions and ideas, howsoever different they may be to my own, and keeping things necessarily simple to my stakeholders, and I attempt to do the same outside the walls of my office as well. Having learned how to analyze data on the job, I brand myself as a data story-teller - i.e., processing data and presenting meaningful information in a way that pushes the audience to take the desired action. The interesting aspect of my job is that it allows me to improve the existing processes through imaginative ways and take ownership of some of the workflows in my organisation, thereby ensuring candidates joining Google have a lasting positive impression about their onboarding experience. 

Q: Do you remember the first time you heard about StoryWeaver? What are your thoughts about the platform?

Of course, it's quite vivid in my memory the first time I heard about StoryWeaver. The concept of weaving children's stories is quite dear to my heart, and it's really gladdening to see the team working behind crafting stories as well as making them available in multiple different languages for the young audience to read and relish. I personally nurtured a similar idea a few years ago when I was an avid blogger but didn't have the imaginative power nor the enterprising capabilities to venture into this domain - I was really happy to find the StoryWeaver team doing some marvellous work in this field. Kudos to all!

Q: What was your experience of the GServe campaign, and translating books with fellow Google volunteers?

It's always a very humbling experience to take part in any GServe campaign, no matter what the cause that's being championed. The StoryWeaver campaign was very well thought through in many ways - for one, it didn't require us to sacrifice the luxury of our desks and we could contribute while at work or on the move. It was also so much fluid socializing with fellow Googlers who were taking up similar translation work. Overall, it was a rewarding experience to be able to contribute our might in little ways possible to make a huge change!

Q: We are so glad that you came on board as a commissioned translator even after the GServe campaign! What prompted you to stay in touch?

As I had mentioned previously, contributing to children's literature was always dear to me, and when I got to know about StoryWeaver's mission and their robust infrastructure, I felt relieved knowing that I didn't have to worry too much about the modus operandi, but rather focus on the work itself. With a major piece of work shouldered by the StoryWeaver team, I wanted to work with the team even after the GServe campaign, so that I could do what I like to do - writing, crafting and translating.

Q: What was your experience of being a commissioned translator? Did you pick up any new tips and techniques?

A lot I must say! One very important technique I adopted pretty early on was that I realized that translating the original work into the language of my preference required knowing the cultural nuances deeply. For instance, while translating a story from English targeting the Hindi speaking audience and translating it into Tamil would mean we will have to take into account the various cultural aspects such as the equivalent idioms used in the region. Internalizing all these cultural & regional nuances in the local language while translating is imperative if the audience has to relate to the stories. Else, they wouldn't 'stick'!

Q: How tricky is it to translate stories to Tamil? Are there any phrases that you particularly spent time on because they were difficult to translate?  

Tamil, for all its richness, is a very unique language in that there are several different dialects in use across the Tamil diaspora. It becomes even trickier when you realize that the written form of the language is very different to the conversational style, and even the conversational style assumes a different shade when it comes to young audiences. Stories will have to be narrated to children in a style that's neither too formal nor too conversational and we should be ready to use a few English words that are in daily use, so they can relate to them. Also, unfortunately, tools such as Google Translate provide very literal translations of phrases which is sometimes very challenging even to the mature audience, hence you have to take a judgement call based on your own intuition and observation. I bet this is true for many Indic languages!

Q: What has been your favourite book to translate on StoryWeaver? 

That's a tough one! Each of the books takes you down memory lane and makes you relive your childhood :) Be it Rani's First Day at School or the restless lad who couldn't wait to open this birthday gifts the next day or the fearless little girl - each provides a glimpse of your own childhood. For the sake of picking one, I would go for I Can Climb! which is packed with a lot of positive self-talk for young kids who are taking baby steps as they encounter different activities for the very first time in their lives.

Q: What are some of your favourite books from childhood? Is there any memorable reading moment that you would like to share?

I relished reading across different genres in both English and Tamil. In Tamil literature, especially that was taught to us in school, all messages were delivered in a cryptic fashion replete with metaphors and similes. That allowed for deep learning, situational paraphrasing and lateral thinking. For that very same reason, I preferred the works of John Milton, Rudyard Kipling & John Keats in English and innumerable poets in Tamil. 

As a kid, I was an avid read of Tinkle Kids' magazines, and I used to eagerly await the next monthly edition. I am really glad to see that same level of curiosity now possessed by my niece. It seems the magazine hasn't lost its attractiveness to date!

Q: The translations you have contributed to our platform have been read over 1800 times - thank you! How has your StoryWeaver journey been? What is one big takeaway from this experience?

The biggest takeaway for me has been that we shouldn't shy away from walking in the little shoes of our young audience to truly understand what holds their curiosity and interest. Many a time, we - adult learners - tend to wear our own caps, and view children's literature in a rather lop-sided manner. However, we should be ready to speak the language of the kids (sometimes even practise prattling), simplify the language (without over-simplifying at the cost of losing the essence) to suit them and be more imaginative (what helped me to feel the pulse of the audience was to subject my work to, what I like to call, the 'niece'-test - i.e., talking to my nieces and having them vet some of my initial works)

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