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Ras Abebe Aregay Library is a library based in Debre Birhan, Ethiopia. They host storybook writing workshops for children. In the past, they have collaborated with the African Storybook Initiative to host workshops and get more storybooks written and translated. They distribute digital storybooks to agencies and regional bureaus of education and are able to reach children in Ethiopia through their network of schools, parents and NGOs across the country.  

In this email interview, Mezemir Girma, General Manager of Ras Abebe Aregay Library tells us about his #FreedomToRead experience, and the process of creating a digital library of 40 storybooks in Amharic.

Do tell us about the Ras Abebe Aregay Library, its vision, and the communities that you engage with.

Ras Abebe Aregay Library envisions creating a generation of readers in Ethiopia. We engage with the community in Debre Birhan town, Amhara National Regional State through our library. Our involvement in making learning materials and knowledge accessible online to the wider Ethiopian community results in our library serving more people in Ethiopia. 

What are the long-term effects of a lack of easy access to resources in mother tongue languages for the communities that you work with?

In Ethiopia, there is a shortage of storybooks, as well as textbooks. The lack of easy access to resources in mother tongue languages for Ethiopian students perpetuates the vicious circle of illiteracy and poverty.

How did you come across StoryWeaver and the Freedom to Read campaign? What prompted you to participate in the campaign?

Our library took part in an African Library and Information Associations and Institutions (AfLIA) meeting in Accra in October 2019. At that event, we spoke to the participants about the African Storybook Initiative. A representative from Uganda asked if that was like StoryWeaver. That was the first time we heard about StoryWeaver. Later, we visited the StoryWeaver website and followed them on social media. Then, on Twitter we learned about the Freedom to Read campaign. We applied to translate storybooks to Amharic. After the selection process, our library was among the six organizations chosen globally to take part in the translation project.

What are the benefits of creating a local digital library of joyful storybooks in Amharic?

As we are working on reading and literacy, we understand how storybooks are helpful to children in our communities. When one gets the opportunity to translate quality picture storybooks into one’s mother tongue, one should not miss the opportunity. As we wish to help this generation get better opportunities than ours, we seized this opportunity and took StoryWeaver‘s online training via Skype.

Local digital storybooks in Amharic are helpful as there is a shortage of storybooks in the country. As a lecturer in English Literature at one of the public universities in Ethiopia, I was not aware of storybooks until 2014 when an American Peace Corps Volunteer, Benjamin Rearick, introduced me to the African Storybook Initiative (ASb) and their wonderful translation system. By the way, I felt really happy when I found the storybooks I translated for ASb on the StoryWeaver website. Therefore, in a country where children have little access to storybooks, the role that the translation project may have is beyond words.

Tell us a bit about your process of translation. Were there any challenges you faced while translating to Amharic?

The translation process was a bit challenging. At first, our plan was to engage library readers and volunteers in the activity. However, they found it hard to get time to involve themselves in the translation project. Therefore, being the manager of the library, it was up to me to work on the translation. The translation was a bit difficult because I was not familiar with the website. It took me a while to get used to it. The online training helped me. The number of holidays that Ethiopia celebrated in the last few weeks kept me away from the university where I could get internet connection. As much as possible I used the time I had to translate.  After I went half way, I learned that I could use Google Translate. Earlier I didn’t rely on google’s Amharic translation system as I heard people say it is inaccurate. Now I am using it even if their Amharic translation requires more editing work.

How do you hope to reach more children through your books in Amharic?

Once the translation is over, distribution is another challenge. As I know from experience, the community lacks access to the internet. At our library, we will display the storybooks to children using our projector and laptop. We will also download and disseminate in nearby schools. Other areas of the country could be reached with social media and regional education bureaus.

The logo of our library was designed by our IT volunteer Mr Tesfamicael Hailu and we would love to thank him as he filled that gap and helped our library appear on the storybooks we translate!

Thank you everyone at StoryWeaver for the opportunity you gave us!  

Mezemir Girma from Ras Abebe Aregay Library, Ethiopia

Mezemir Girma conducts reads a storybook in Amharic with children in Ethiopia

Storybooks translated by Ras Abebe Aregay Library into Amharic on StoryWeaver

Thank you, Ras Abebe Aregay Library, for giving children the #FreedomToRead in Amharic!

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You can read all the storybooks translated by Ras Abebe Aregay Library here.

Learn more about the organisation and their work here.

Do join the conversation by leaving your thoughts in the comments section below. You can also reach out to us through our social media channels: Facebook, Twitter and Instagram. 

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Nabanita Deshmukh is a teacher, a teacher educator, and a writer of children’s stories and poems. She had been a consultant at Azim Premji Foundation, Pondicherry and has worked with government school teachers on interactive methods of teaching. Nabanita has been instrumental in introducing Stories and Language Games as a means for developing language skills in primary level children. She has also conducted workshops for teachers and students in Odisha, Pondicherry, Kerala and Arunachal Pradesh on creative writing, storytelling and classroom games and other alternate modes of classroom teaching such as the use of magazines for the improvement of English. She conducts teacher interactions on motivation and classroom management.

She contributes stories and articles to magazines and publishing houses like Chandamama, Bal Vihar, Children’s World, Children’s Choice, Children’s Digest, Pratham Books and Matrubhumi.

You can read her books 'Why Do Bees Buzz?' and 'Why Can't We Glow Like Fireflies?' on StoryWeaver.

I am just back from a long teacher training tour in Chattisgarh and western Odisha. The main focus of the workshops was the enhancement of language and literacy skills through interactive modes such as stories, poems, skits and songs. In this context Pratham's Adi Kahani series and the online Storyweaver platform came in handy.

STORYWEAVER
Stories from this portal were shown to a group of primary school teachers and teacher educators from various states of India. Here is an example of how one of the presentations took place. The session went through three stages: pre-viewing, while-viewing and post-viewing. The 'First House' story was chosen for the demo.

In the pre-viewing stage, I first showed the cover page to the participants and they all had to guess what the story was all about and where it was set. This pushed the teachers to observe the illustrations and the printed details carefully. Later they guessed that the story took place in a forest and it was about two tribal men. 

Pre-reading or pre-viewing stages always help break the ice and familiarise readers with unfamiliar settings, characters and vocabulary. If teachers used prediction like I had done with the cover page of the book, students would surely show more interest in reading a story.

In the while-reading stage, I projected the first page of the book and asked the following questions:
    1. In which state of India do you think this story is taking place?
     2. Which creatures do the characters meet when they come out of the cave?
     3. What advice do these creatures give them? (Answers to be given using direct speech)
     4. What kind of house do you think the characters built eventually? (Description)
These questions were asked to help participants use communicative English (Q-3), imaginative skills (Q-2&4), logic (Q-3) and geographical knowledge (Q-1)

After getting the answers from the participants, the entire story was projected on screen and the participants enjoyed reading it. They also loved the colourful illustrations and the different options the story presented. I finally read out the paragraph on the Singpho tribe printed at the end of the book and made the teachers use atlases to locate Arunachal Pradesh and its physical features on the map.

Some teachers even attempted to translate the first few lines of the story in their own mother tongue-Kannada, Tamil, Bengali and Chattisgarhi.

 

ADI KAHANI SERIES
The Adi Kahani stories in the Kui language were used in Odisha with primary school teachers who taught children of the Munda tribe. This tribe speaks the Ho language. Despite not knowing Kui, the tribal and the non-tribal teachers reacted favourably to the stories. For example in the stories of the fox and the pitcher and also in the fox and the chicken, the teachers appreciated the use of local settings, objects and characters. They thought these would help children understand the story better as the surrounding is familiar-rivers, foxes, cowherds, women carrying wood, earthen pots are all so familiar to village children no matter to which tribe they belong to!

The story of how the rabbit got its long ears became an instant favourite among Munda teachers and many felt the folktale could be made into a skit.

It was a great experience using Pratham Books and the Storyweaver platform during my training. More Odia translations of stories and Munda tribe folktales  written in English and then translated into different languages will be most useful. I just came to know that the Ho language has a script. Heartening, isn't it?

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