Imagine if the language you speak to your friends, think your funniest thoughts in and dream your bravest dreams in, is hardly known in your own country, and might even reach an early death in two decades. To ward off this isolation acutely felt by Kora and Santali, tribal languages spoken in communities across West Bengal and Odisha, Suchana has been working towards their preservation with quiet determination fuelled by their love for literacy and a zeal for preserving adivasi languages.
Suchana, a 10 year old community group, works in Birbhum, W. Bengal towards the education of pre-school to class 10 children from Santal and Kora adivasi communities. Suchana knows that when education knocks at your door, it must come in a language that you understand. Entering a school room can be daunting for a child from an adivasi background as she or he is expected to know a state-language that they or their family have never learnt, or have been denied access to. Our education system is missing out on a huge cultural opportunity here by not being inclusive of more languages, and thus not reaching out to children who need education the most. This tragedy of education not benefitting children who are trying to break centuries-old shackles of being looked down upon as an adivasi is profound.
This is where Suchana steps in to ensure ‘Right to Education’. They have made it their mission to make sure that Kora and Santali are looked upon as legitimate, literacy-inducing languages, and that ‘adivasi school going kids’ can just be school going kids. They aim to sustain cultural identities and promote literacy among the tribal and underprivileged communities through their education programs. As far as they know, they are the first organization to have created children’s books, or in fact any books at all, in Kora.
One of their key educational initiatives, Mobile Library, was started in 2011 with children of 6 villages. Today, the library travels in two vehicles, covers 25 villages and has 1135 members. It consists of books that are written in multiple languages, especially in the tribal languages (Kora and Santali) that children can relate to and learn in. Children who have never held story books in their hands or understood their importance now have access to joyful reading material that’s related to their education and growth, along with creativity and imagination.
Kirsty Milward, Founder of Suchana, says, “In Santali and Kora – and other adivasi languages – there is no children’s literature at all. This is at least partly because until the current generation, most adivasi children did not go to school. Among the (still quite young) mothers of Suchana’s current adivasi students, for example, 80% never went to school at all. So where was the need for children’s books in those languages?”
We are proud of our association with Suchana. The organisation’s teacher-translators have been able to develop supplementary reading materials in Kora and Santali at a much faster and prominent way through StoryWeaver. Currently, 27 Kora books and 19 Santali, both in Bengali script are on StoryWeaver. Suchana has printed 10,000 copies of these books for their mobile library and are exploring loading e-books onto SD cards to disseminate stories on low cost mobile phones.
It’s a huge step for languages that were near obscurity and oblivion, to be suddenly sailing the digital waves and ready to be accessed by the whole world in the form of beautiful stories. Read these stories in Bengali script in the tribal languages of Kora and Santali.
Written by Chetana Divya Vasudev and Sherein Bansal, Assistant Editors, Pratham Books
Even a kilometre away from Agastya Foundation’s Science Campus in Kuppam, we’re greeted by the fresh scent of its green landscape. We all wake up (or are made to) after a three hour journey, and look out the windows to see hills and farmland all around. As we reach the gate, we see their motto ‘Aah Aha! Haha!’ inscribed on it - a philosophy that drives their 18 year old science education programme.
Children from under-served backgrounds experience the wonderment of discovery (Aah!), to understanding the concept (Aha!), to having fun with learning (Haha!) here. The science campus, situated on the border of the three Southern states- Andhra Pradesh, Karnataka and Tamil Nadu, attracts about 600 children from neighbouring villages, who come to the campus about once a week to experience learning.
Pratham Books and Agastya Foundation have been collaborating for years, driven with a common philosophy of making children curious. With the launch of StoryWeaver, getting books into the hands of the hundreds of children that visit the campus has been made even easier. The digital library sits in the computer center where the children can choose a book to read in either Tamil, Telugu, Kannada or English, including many of our STEM titles, along with learning animation and mastering basic computer skills. The Pratham Books team is on a visit to the amazing campus to get a sense of all the initiatives Agastya Foundation has undertaken to nurture this curiosity further.
We roll ahead and everyone is looking out of the van windows pointing at the sculpture of a dismantled batsman, or a huge ant hill with child-sized ants crawling over it, or a mini-bus randomly sticking out on a pole. We come to know later that all the sculptures and installations across this beautiful 172 acre land were created by the renowned architect, Sharukh Mistry and Agastya Design team.
We have our fill of the sight of the faraway hills that circle us, and reach the stone-walled auditorium situated in the midst of this biodiversity. It’s nearly lunch time when we walk into the cool auditorium. Jagadeesa, an ace storyteller and head of the library program at Agastya Foundation, has just finished the narration of ‘Kottavi Raja and His Sleepy Kingdom’ in English and Telugu. His audience of about 200 children, scattered across the space, are clearly delighted. One girl even volunteers to tell the story in English again.
Once she’s done, our team spreads out among the children, and an easy chatter resumes. Soon, they start filing out for their noon break. We meet some of the Agastya staff members, and they tell us more about the work they do.They lead us out, along a concrete path strewn with imprints of leaves of the Indian almond tree, up to the canteen. By the door are tyre and metal pawns that go with an outdoor chess board! The meal is simple yet delicious and we discuss Agastya’s philosophy behind setting up this campus in detail.
A little later, Aparna Kapur, author of ‘Ghum-Ghum Gharial’s Glorious Adventure’, takes the stage and narrates the story of Ghum Ghum, a baby gharial who separates from her family in the river and must make her way back to them somehow! The children giggle their way through the animal sounds that punctuate the book. Jagdeesa live-translates the story into Telugu.
Our Editor, Bijal Vachharajani is up next. She makes the children laugh with the narration of her story ‘What’s Neema Eating Today?’. We watch children repeat after her. Funny expressions and sounds of 200 satisfied tummies, and the auditorium goes “Mmm-mmmmmmmmmmm!” Everybody has fun identifying their favorite seasonal fruits in the colourful picture book.
The final session with the children is the Food Rakshasa Activity conducted by Bijal and Aparna. Children are divided into groups and together they draw their idea of a monster on paper by substituting body parts with fruits and vegetables -- chilli, ladies’ finger, bottle gourd, apple, carrot and more. And what lively, scary, yummy monsters we get to see by the end of it!
Post the session, the Pratham Books Team follows Subramanya Shastry, a key team member of the Foundation who has generously agreed to give us a detailed tour of the campus. “The children observe the nature around, pick up things from their surroundings, and create art from it,” our host is explaining. But his words nearly skip our attention; the display around us is distracting.
We tear ourselves away from this building with some difficulty and head to the innovation centre. Here the children, in groups, come up with devices or social interventions that impact their day-to-day life. For example, since water supply is erratic in most villages, one group has devised a sensor to alert people when water has been released. In the summer months, the supply can be as infrequent as once in ten days, so it’s crucial not to miss every opportunity to fill up the buckets. Another group’s device, to be installed at bus stops, would indicate how many buses of a certain route have passed.
Our tour includes the media centre where we get to see photographs, animations and short films by the children. We wrap up with a short visit to the library and the robotics lab.
Too soon, it’s time to get back on the bus. As we wave goodbye to the staff and children, we’re certain we’ll be back here before long.
More pics from our visit can be seen here: https://flic.kr/s/aHsm4sDAMf
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Children LOVE ‘spotting challenges’. Ask them to spot anything from a busy image and you can be sure they won’t quit. 3 crabs on a beach, 4 tyres in a workshop, 11 spoons in a kitchen... anything! Unfortunately, it’s hard to come by memorable spotting books which are affordable. So...
This Children’s Day (November 14), StoryWeaver is eager to create a fun spotting book for children and make it available for free. We think this will be special if it’s a collection of illustrations from artists around the world. And this, illustrators, is where we need your support. Just 1 illustration from you can make all the difference!
The best entries from Spotathon will become part of a grand spotting book published by StoryWeaver, filled with illustrations from different artists. However, each entry that is submitted as part of Spotathon will be available on StoryWeaver as an individual activity book as well.
Here’s how you can participate in Spotathon!
Draw something which has enough details so that a child can spot up to 15 objects in it. Think of a setting which can accommodate these details. A beach, rainforest, kitchen, classroom, market... the possibilities are endless! The objects to spot are up to you.
Before you start, imagine the child you’re setting the challenge for. Our readers are primarily children who haven’t had much access to books. We have 2 different categories which are linked to age and levels of difficulty. Remember, these are only guidelines.
a. 3-6 years (Level of Difficulty: Easy) – She has only recently started reading books. She’d enjoy spotting up to 8 objects. While she’s open to all kinds of settings, do remember that her vocabulary is limited. But her imagination definitely isn’t! As an example, here is an illustration by Soumya Menon of what would be ideal for her.
b. 7-10 years (Level of Difficulty: Medium) – As she’s expanding her vocabulary, she will be more comfortable with prediction and open to unfamiliar settings. She’d be able to spot up to 15 things. Even the way in which the objects are hidden can be more complex here. As an example, here is an illustration by Bindia Thapar of what would be ideal for her.
As the spotting exercise also requires an answer key for reference, you will need to prepare it using the same drawing. All you have do it number the images accordingly. Here’s an example.
GUIDELINES FOR SUBMISSION
Spotathon begins on October 25 and ends on November 21.
You will have to submit two illustrations: Main Illustration and Answer Key (examples above).
You can submit your entry in any language that is available on StoryWeaver.
You can submit more than one entry.
Watch a short Video Tutorial on how to submit your entry on StoryWeaver.
Size of illustration (Main illustration & Answer Key): 11.17 inches (width) x 5.35 inches (height). This is the recommended size as it fits neatly into one of the templates on StoryWeaver.
The illustrations should be high-res (150-300 dpi).
File size for each illustration: Between 2 to 4 MB; above 4 MB will slow down the upload process
Copyright and other guidelines:
To participate in Spotathon, you must be over the age of 16.
The illustrations you submit must be your original work.
By submitting your work, you are agreeing to a CC-BY 4.0 license being applied to it. To know more about this license, click here.
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