"The Book Illustrators Gallery (BIG) is a display of diverse collections of works by illustrators and artists from Singapore and the region, featuring both published and unpublished art pieces. BIG not only presents quality artworks for the public to enjoy and appreciate, it also acknowledges and promotes the works of talented illustrators and artists in the region!"

We were so excited and pleased to hear illustrators we collaborated with on our digital-first STEM books have been selected to display their work at BIG 2017! Sunaina Coelho's art from 'Up World, Down World' , Kabini Amin's art for 'Dum Dum-a-Dum Biryani' and Vishnu M.Nair's illustrations from 'Satya, Watch Out!' will be displayed in the gallery this year.

(An illustration by Sunaina Coelho from Padmaparna Ghosh's 'Up World, Down World'.)

Vishnu M. Nair's vibrant illustrations bring young Satya's character to life in 'Satya, Watch Out!')

Kabini Amin's brother-sister team from 'Dum, Dum-a-Dum Biryani'

Also on display is illustrator Niloufer Wadia's work for Tulika Books. Niloufer is the magical illustrator who created 'निराली दादी' and brought the excitement of a friendly hockey match to life in 'A Perfect Match' by Ramendra Kumar.  

Congratulations to all these talented illustrators! 

You can read more about The Book Illustrator's Gallery here.

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Bhavana Vyas Vipparthi, has lived and studied in Bangalore all her life. Having finished a Fine Arts course at Srishti, School of Art Design And Technology, she went on to do a masters in animation film design at NID in Ahmadabad. Her mind is now consumed by her terribly talkative two and a half year old son, a perfect dog, and a fellow animator husband. She makes up a million stories a day to stay sane. You can find their work on https://vimeo.com/thestudiospaceman
 

When I was given the opportunity to work on a book for Pratham Books, the script that got my attention was the one on garbage. Chikoo, a little litterbug gets a dose of her own messy medicine, when all the trash she keeps carelessly throwing around, comes back as a big cloud of smelly garbage that hangs over her head. Managing our garbage through very doable means like segregation and composting, has always been a cause I support. And I was very happy to get a chance to do my bit for this important issue. The script by Karanjeet Kaur was quirky and unusual. As I read it, I imagined a mixed media/ collage approach would work really well with the theme.

I knew straight away that the garbage had to be real. It would add a great texture to the images along with being the only effective way to show the reality of our very serious trash problem. I collected our trash at home over a few days, arranged it and photographed the cloud that would haunt Chikoo.

 After the initial rough page layouts were done, I had a lot of fun exploring ways to show other elements. The flies that swarm around the cloud of trash were done with a dab of paint and fingerprints for their buzzing blurry wings. 

The odorous vapours were cut out of OHP sheets and painted, as the paint dried on the plastic surface it left interesting organic patterns. 

   

The backgrounds were done with watercolour and I used different kinds of leaves as stamps to make trees and bushes.

The ground and park railings were also created using different materials as stamps. 

 

With this abundance of different textures, the characters had to stand out on the page, and making them cutouts solved this problem effectively. The final characters were drawn on paper, cutout, and carefully painted. They were made in different parts with the hair, head, and body as separate pieces. Legs and hands were drawn on the computer later. We always draw from our own influences and the uniforms are the very same ones that I wore as a quiet little girl in primary school. 

All the different elements, backgrounds, desks, characters, flies, smell etc,were first photographed and then cleaned up on the computer. The final pages were assembled on Photoshop. Where most projects I work on start and end digitally, it was a welcome break to cut/paste/paint, explore and create something unique for this book.

You can read 'A Cloud of Trash' by Karanjeet Kaur and Bhavana Vipparthi by clicking on the image below

 

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 Aindri Chakraborty is a communications designer specializing in narrative illustration and animation. She is one of the members of The Kadak Collective.

Apu’s Giant Earthquake is not only about why and how earthquakes happen, it is also a story inside a story. It is a story of the off-tune Bey-asura who likes to sing. It is also about Apu and his sister Pia, their grandmother and pet dog who are in the middle of both Bey-sura’s song and an earthquake. 

I wanted to start with the characters. They were based on Sudeshna Shome Ghosh's picture below. 

This is how the character Pia evolved.

Bey-asura is an Asura who causes a lot of destruction when he sings! I felt pity on Bey-asura in the story because I like to sing but I am not a very good singer! I had to find a way to justify why Bey-asura was a bad singer. I shaped his head like a string instrument and then realised, maybe he is a bad singer because he hasn’t been tuned yet. So there is a broken string which I designed as his hair. 

I made lots of textures of the earth. This is based on geology diagrams. 

I tried this one using salt while the ink was drying, so it created a nice rocky texture. 

I then collaged the textures to create landscapes for the story. 

'Apu’s Giant Earthquake' is both informative and imaginative so I tried to keep it sciency but also whimsical. It was exciting to work on StoryWeaver's digital-first children's story which will be available to everyone as it's openly-licensed.

'Apu's Giant Earthquake' will be available to read in 5 languages on StoryWeaver. If you can't find the story in a language you're fluent in, feel free to translate the story on www.storyweaver.org.in and share it with us! 

 

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